Seth Bindernagel had the answer. He’d been in contact with a DJ and producer friend named Kraddy, who had just finished an amazing new album. “What if we tried to do something with his sound?” The idea was too good to pass up, and with Kraddy’s support, we dove into the tracks and started imagining what these songs might look like, when interpreted through the medium of the web.
«The web that Firefox 4 makes possible is a web ready for artists, developers, filmmakers, and musicians alike»
Kraddy’s music was easy to demo because of its complex nature, with plenty of emphatic transitions and cue points–this music wants to be visualized! The music for No Comply also provided a dark and introspective sound on which to build a narrative. On his blog, Kraddy had already written about how he understood the album’s meaning:
This EP is about Theseus’ decision to be a hero and his decent into the Labyrinth to kill the Minotaur. In a broader sense the EP is about the battle we all face when we challenge ourselves as people. We must enter the Labyrinth of our minds and at the center we find our greatest fears. To defeat those fears we must kill a part of ourselves. And in killing a part of ourselves we create the potential to grow into a more developed person.
Kraddy’s vision informed our early outlines and storyboards. We knew that we wanted to play on the story of the Minotaur and the Maze, and the idea of facing down ones’ own fears. Together we came up with the idea of re-telling the story using a mixture of real-life video and 8-bit video game styling. Because the album was deeply personal to Kraddy, we decided to feature him in the demo. Kraddy agreed to be filmed, and Brett Gaylor used the footage to create the opening and closing video sequences. We also used Kraddy as the inspiration for the demo’s main video game character.
The launch of Firefox 4 brings a lot to the web, not least WebGL. As the web shifts from a 2D-only to a 2D and 3D space, we wanted to explore the intersection of these two familiar graphical paradigms. Rather than picking just one, we chose to create a hybrid, dream world, composed of 3D and 2D elements. Many people will recognize in our 2D characters and graphics an homage to much earlier video games, like Double Dragon. We wanted to celebrate the fact that these two paradigms can now exist together in a simple web page–everything we do in the demo is one web page, whether audio, video, 2D, 3D, or text.
Creating a 3D world like the one in this demo requires a lot of original content creation, which in turn requires some sophisticated tools. Instead of developing our own, and in the open-nature of our group, we decided to use existing technology like Blender. The community that develops Blender and creates content with it is rich and diverse, and because it’s an open tool, we could add the features we needed when they weren’t already present.
Our preference for open technologies also meant that the COLLADA scene format was an obvious choice. Unfortunately, as of version 2.49, Blender exports an Autodesk-inspired format of COLLADA, which isn’t quite up to the official standard, missing many important bits of information. Fixing this directly in Blender (with a little bit of Python hacking) let CubicVR stay standards-compliant, and let us milk Blender for all of the scene information we could think of using.
The demo’s 3D modelling, while important, comprises perhaps only half of No Comply’s original content. An incredible undertaking on the part of Omar Noory provided the textures for the rich environment through which Kraddy rumbles and tumbles. Frequently, spontaneous requests for “an 8 bit trash can,” “a cool sign with our names on it,” or, “some beefy bad lookin’ dudes” were answered almost instantly by Omar’s gracious and masterful digital pen. You may have recognized Omar’s name from his claim to meme-fame with “Haters Gonna Hate”.
Adding the perfect amount of flare to the graphics pipeline is Al MacDonald’s Burst animation engine. Al not only wrote our sprite animation engine, but also the web-based toolset we used to create the animations. The 8-bit Kraddy and all of No Comply’s 8-bit baddies are driven by animation paths prepared with Burst, and engineered with a set of tools that work right inside the browser.
We’ve taken advantage of a bunch of Firefox 4’s new performance features, as well as new HTML5 goodies, in order to make this all possible. For example Web Workers let us move heavy resource parsing off the main thread, freeing it for audio analysis and 3D effects. While a large portion of each second is consumed by simply pushing information to the video card, it isn’t necessary for the browser to wait for that to happen. In the background, we can use other threads to load and parse data, so that it’s ready to draw when the main thread needs it. Of course, a host of problems arise immediately whenever concurrency is involved, but we managed to draw a large performance and overall stability increase by utilizing Web Workers.
Beyond the technical aspects of the demo, it also points to the spirit of how these technologies are meant to be used. We worked as a distributed team during evenings and on weekends, to plan and code and create everything, from the tools we needed to the graphical resources to the demo’s final code. Some of our team are browser developers, some web and audio hackers, others are graphic designers or filmmakers, still others storytellers and writers–everyone had a place around the table, and a role to play. We think this is part of what makes the web such a powerful platform for creative and collaborative work: there isn’t one right way to be, no single technology you need to know, and the techniques and tools are democratized and open to anyone willing to pick them up. The web that Firefox 4 makes possible is a web ready for artists, developers, filmmakers, and musicians alike.